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Allen & Heath AVANTIS SOLO digital audio mixer with 64 channels and 42 bus
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The Allen & Heath AVANTIS SOLO digital audio mixer with 64 channels and 42 bus can handle 64 input channels, 42 mix busses and 400 system inputs and outputs.
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Specifications
The Allen & Heath AVANTIS SOLO digital audio mixer with 64 channels and 42 bus is a compact mixer capable of independent operation. It can handle 64 input channels, 42 mix busses and 400 soft patchable system inputs and outputs, all independently assigned. There are 12 rack-mounted stereo FX engines with dedicated stereo returns and 16 DCAs. The mixer contains the mixing engine. The mixing engine operates at a sampling rate of 96 kHz and uses FPGA technology for digital signal processing. The latency of the system, from analog input to output, does not exceed 0.7ms. The surface includes 12 motorized touch-sensitive with 6 levels accessible by dedicated buttons. Fader lighting is integrated into the mixer armrest and is adjustable via the software user interface. All fader strips are configurable as input channels, mixes, FX sends, FX returns, DCA masters or MIDI strips. Each fader strip has dedicated PAFL, Mix and Mute buttons with indicators and a rotary controller. 6 buttons with indicators provide global mode for rotary controls that are Gain, Pan, Sends and up to 3 custom functions. Dedicated buttons allow quick copy/paste/reset of mixes and processing parameters, pre/post and mix assignments, scene safeties, freeze-in-layers and GEQ flip fader. Other physical controls are user assignable, including a set of 3 rotary encoders and 18 user-defined buttons. A 15.6” Full-HD (1080p) capacitive touchscreen provides access to channel bank display, channel name blocks, channel processing, counters, FX, I/O, scene management, configuration, utilities, and diagnostics. Channel name blocks display the name, color, type, number, status, pan, gain, trim, metering, processor gain reduction, and other parameters of each visible channel.
| Weight | 17,5 kg |
| Dimensions | 54,6 x 62,7 x 26,9 cm |
| Input | Mic/Line XLR Inputs: Balanced XLR, +48V phantom power Mic/Line Preamp: Fully recallable Input sensitivity: -60 to +15dBu Analogue gain: +5 to +60dB, 1dB steps Pad: -20dB Active PAD Maximum Input level: +30dBu (PAD in) Input impedance: >4kΩ (Pad out), >10kΩ (Pad in) Mic EIN: -127dB with 150Ω source Phantom power indication: Per socket, internal or external phantom power sensing, triggered at +24V Digital Inputs: AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω SRC range 24 bit, 32k – 192kHz, with bypass option |
| Output | Analogue XLR Outputs: Balanced, Relay protected Output impedance: <75Ω Nominal Output: +4dBu = 0dB meter reading Maximum Output level: +22dBu Residual Output noise: -95dBu (muted, 22-22kHz) -90dBu (muted, 0-80kHz) Digital Outputs: AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω 96kHz sampling rate, globally switchable to 48kHz, 44.1kHz |
| System | Measured balanced XLR In to XLR Out, 22-40kHz, minimum Gain, Pad out Dynamic range: 109dB System signal to noise: -92dB Frequency response: 20Hz – 30kHz (+0/-0.8dB) THD+N (analogue in to out): 0.0015% @ +16dBu output, 1kHz 0dB gain Headroom: +18dB Internal operating level: 0dBu dBFS alignment: +18dBu = 0dBFS (+22dBu at XLR output) Meter calibration: 0dB meter = -18dBFS (+4dBu at XLR out) Meter peak indication: -3dBFS (+19dBu at XLR out) Sampling rate: 96kHz |
| Channels | 64 |
| Operating temperature | 0°C to 40°C |
| Power | 100-240V AC, 50-60Hz, 150W max |
| Audio playback | Mono/stereo .WAV files, 16/24bit, 44.1/48/96kHz, MP3 files, FLAC files |
| Audio recording | Stereo .WAV files, 24bit 96kHz |
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