Allen & Heath dLive C1500 128 channels digital audio mixer – 12 fader
€ 8.300,00 € 10.126,00 vat incl.
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The Allen & Heath dLive C1500 128 channels digital audio mixer – 12 fader will be rack-mountable and have 12 movable faders, each with 6 levels.
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Specifications
Allen & Heath dLive C1500 128 channels digital audio mixer provides 12 moving faders, each with 6 layers accessed by dedicated keys. All fader strips are configurable as input channels, mixes, FX sends, FX returns, DCA masters, or MIDI strips. Each fader strip has a dedicated PAFL, Mix, Select, and Mute button with indicators, 10-segment multi-point meter, 4-segment gain reduction meter, rotary encoder, and coloured LCD display with name, mode, status, and level indicating. 7 buttons with indicators provide global mode for the rotary controls being Gain, Pan, Sends and up to 4 custom functions.
Send levels to mixes are adjustable using the faders. A 12” capacitive touchscreen is provided for access to channel processing, meters, FX, I/O, scene management, setup, utilities and diagnostics. Physical, dedicated controls is provided for the 4-band PEQ. Further physical controls are user assignable, including 19 user-defined keys. Dedicated keys are provided for quick Copy/Paste/Reset of mixes and processing parameters, pre/post and mix assignments, scene safes, GEQ fader flip, PAFL clear, scene automation, talkback, and access to libraries.
22-segment meters shall indicate the 3 Main mix levels, the PAFL signal shall override the LR meters accompanied by a PAFL-active indicator. ¼” and 3.5mm jacks for the surface PAFL headphones output shall be provided, plus an analogue output level control. The mixer shall include a 2-track record and playback system for optional USB drives. The surface shall have 2 USB ports on the front, one of which dedicated to record / playback. The surface shall provide 6 XLR inputs of high quality and capable of handling microphone or line signals, with remote controlled analogue gain adjustable in 1dB steps, a 20 dB PAD, and phantom power. It shall also provide 6 XLR line outputs, 1 AES-3 stereo XLR inputs with SRC, and 1 AES-3 stereo XLR outputs with SRC. There shall be an option to bypass the Sample Rate Conversion on the digital inputs or outputs.
A 128-channel I/O port for an optional digital interface module shall also be provided. Optional interface modules include: MADI, EtherSound, Dante, Waves SoundGrid, and ACE. An Ethercon port is provided for connection to the rack engine via the Allen & Heath gigaACE protocol. This connection carries over 300×300 channels of uncompressed audio at 96kHz, control data and tunnelling of third party Ethernet traffic. An Ethercon port is provided for I/O expansion via an audio connection carrying up to 32×32 channels of uncompressed audio at 96kHz. A range of optional expansion racks is provided and shall include a modular rack with 8-channel card options including analogue or digital I/O. A BNC connector is provided on the unit for Wordclock input and output. A pair of RJ45 sockets is also provided for gigabit Ethernet network connections to laptops or other control systems. The unit has a fixed power supply accepting AC mains voltages of 100~240V, 50/60 Hz, 110W max via an earthed 3-pin IEC male connector. A rocker switch is provided near the mains inlet to isolate the unit from the incoming mains supply. An option is provided for password protection for log-in of several users with different levels of system access and permissions.
Send levels to mixes are adjustable using the faders. A 12” capacitive touchscreen is provided for access to channel processing, meters, FX, I/O, scene management, setup, utilities and diagnostics. Physical, dedicated controls is provided for the 4-band PEQ. Further physical controls are user assignable, including 19 user-defined keys. Dedicated keys are provided for quick Copy/Paste/Reset of mixes and processing parameters, pre/post and mix assignments, scene safes, GEQ fader flip, PAFL clear, scene automation, talkback, and access to libraries.
22-segment meters shall indicate the 3 Main mix levels, the PAFL signal shall override the LR meters accompanied by a PAFL-active indicator. ¼” and 3.5mm jacks for the surface PAFL headphones output shall be provided, plus an analogue output level control. The mixer shall include a 2-track record and playback system for optional USB drives. The surface shall have 2 USB ports on the front, one of which dedicated to record / playback. The surface shall provide 6 XLR inputs of high quality and capable of handling microphone or line signals, with remote controlled analogue gain adjustable in 1dB steps, a 20 dB PAD, and phantom power. It shall also provide 6 XLR line outputs, 1 AES-3 stereo XLR inputs with SRC, and 1 AES-3 stereo XLR outputs with SRC. There shall be an option to bypass the Sample Rate Conversion on the digital inputs or outputs.
A 128-channel I/O port for an optional digital interface module shall also be provided. Optional interface modules include: MADI, EtherSound, Dante, Waves SoundGrid, and ACE. An Ethercon port is provided for connection to the rack engine via the Allen & Heath gigaACE protocol. This connection carries over 300×300 channels of uncompressed audio at 96kHz, control data and tunnelling of third party Ethernet traffic. An Ethercon port is provided for I/O expansion via an audio connection carrying up to 32×32 channels of uncompressed audio at 96kHz. A range of optional expansion racks is provided and shall include a modular rack with 8-channel card options including analogue or digital I/O. A BNC connector is provided on the unit for Wordclock input and output. A pair of RJ45 sockets is also provided for gigabit Ethernet network connections to laptops or other control systems. The unit has a fixed power supply accepting AC mains voltages of 100~240V, 50/60 Hz, 110W max via an earthed 3-pin IEC male connector. A rocker switch is provided near the mains inlet to isolate the unit from the incoming mains supply. An option is provided for password protection for log-in of several users with different levels of system access and permissions.
| Weight | 18 kg |
| Dimensions | 48,5 x 66,5 x 32,5 cm |
| Input | XLR Mic/Line input: XLR balanced, +48V phantom power supply Microphone/line preamplifier: Fully recallable Input sensitivity: -60 to +15dBu Analog gain: +5 to +60 dB, in 1 dB increments Pad: -20dB active pad Maximum input level: +30dBu (PAD in) Input impedance: >4kΩ (Pad out), >10kΩ (Pad in) Microphone EIN: -127dB with 150Ω source Phantom power indication: Per jack, detection of internal or external phantom power, switched to +24V Digital inputs: AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω Sampling frequency 96kHz SRC range 24 bit, 32k – 192kHz, with bypass option |
| Output/td> | Analog XLR outputs: Balanced, relay protected Output impedance: <75Ω Nominal output: +4dBu = 0dB meter reading Maximum output level: +22dBu Residual output noise: -92dBu (quiet, 20-20kHz) -90dBu (quiet, 20-40kHz) Digital outputs: AES3 2 Ch XLR, 2.5 Vpp balanced terminated 110 Ω Sampling frequency 96kHz, globally switchable to 48kHz, 44.1kHz |
| System/td> | Balanced measurement from XLR In to XLR Out, 22-40kHz, minimum gain, pad out Dynamic range: 109dB System signal to noise: -92dB Frequency response: 20Hz – 30kHz (+0/-0.8dB) THD+N (input to analog output): 0.0015% to +16dBu output, 1kHz 0dB gain Headroom: +18dB Internal operating level: 0dBu dBFS alignment: +18dBu = 0dBFS (+22dBu at XLR output) Meter peak indication: -3dBFS (+19dBu at XLR output) Sampling frequency: 96kHz |
| Audio USB | Playback: Mono/stereo .WAV files, 16/24bit, 44.1/48/96kHz Recording: Stereo .WAV files, 24bit 96kHz |
| Channels | 128 |
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