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  • Mixer audio digitale Allen & Heath dLive-S3000 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-S3000 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-S3000 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-S3000 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-S3000 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-S3000 a 128 canali - 20 fader

Allen & Heath dLive S3000 128 channels digital audio mixer – 20 fader

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Product Code / EAN: 6938122242258 COD DLIVE-S3000 Category Tag

The Allen & Heath dLive S3000 128-channel – 20 fader digital audio mixer is a mixer for the MixRack, with integrated audio I/O ports and audio networking.

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The Allen & Heath dLive S3000 128-channel digital audio mixer features 20 movable faders in two banks, each with 6 levels accessed by dedicated buttons. All fader strips are configurable as input channels, mixes, FX sends, FX returns, DCA masters or MIDI strips. Each fader strip features a dedicated PAFL, Mix, Select and Mute button with indicators, 22-segment multi-point meter, 6-segment gain reduction meter, 6-segment rotary encoder and colored LCD display with name, mode, status and level. 7 buttons with indicators provide global mode for rotary controls that are Gain, Pan, Sends and up to 4 custom functions. Sending levels to mixes are adjustable via faders. Capacitive 12″ touchscreen provides access to channel processing, meters, FX, I/O, scene management, configuration, utilities and diagnostics. Dedicated physical controls for adjusting gain, HPF/LPF filters, and 4-band PEQ. Other physical controls are user assignable, including 6 rotary encoders arranged in 3 levels and 26 user-defined buttons. Dedicated keys are provided for quick Copy/Paste/Reset of mixes and processing parameters, pre/post and mix assignments, scene safe, GEQ fader flip, PAFL, scene automation, talkback and library access. 22-segment meters indicate the 3 main mix levels, PAFL signal overrides LR meters accompanied by an active PAFL indicator. ¼” and 3.5 mm jacks for surface PAFL headphone output in addition to an analog jack for headphone output. The mixer includes 2-track recording and playback for optional USB drives. There are two USB ports on the front, one of which is dedicated to recording/playback, and another USB port on the rear panel. The surface of Allen & Heath dLive S3000 provides 8 high-quality XLR inputs and can handle microphone or line signals, with analog gain adjustable in 1-dB steps, 20-dB PAD and phantom power. It also provides 8 XLR line outputs, 2 AES-3 stereo XLR inputs with SRC and 3 AES-3 stereo XLR outputs with SRC.An option must be available to bypass sample rate conversion on the digital inputs or outputs.Two 128-channel I/O ports are also available for optional digital interface modules. Optional interface modules include:MADI, EtherSound, Dante, Waves SoundGrid and ACE. A pair of Ethercon ports is provided for redundant connection to the rack engine via the Allen & Heath gigaACE protocol.This connection carries more than 300×300 channels of uncompressed 96kHz audio, control data and tunnelling of third-party Ethernet traffic. Two Ethercon ports are provided for I/O expansion via a redundant audio connection carrying up to up to 32×32 channels of 96kHz uncompressed audio. A range of optional expansion racks (sold separately) is provided, including a modular rack with 8-channel card options, including analog or digital I/O. There are two BNC connectors on the unit for wordclock input and output. There are also a pair of RJ45 sockets for Gigabit Ethernet network connections to laptops or other control systems. The unit has a modular power supply that accepts AC mains voltages of 100~240 V, 50/60 Hz, 300 W max. via a grounded 3-pin male IEC connector. A rocker switch is near the mains input to isolate the unit from the incoming mains. The unit also offers the option of a second hot-swappable redundant power supply. This is of the same type and interchangeable with the standard power supply. A password protection option is provided for multiple user access with different levels of system access and permissions.

DLIVE-DLC35 design
DESIGN

Intuitive and customisable

The Allen & Heath dLive Surfaces mixers feature an intuitive, customisable design with 12″ capacitive touchscreens for smooth interaction. Rotary knobs, with RGB lighting, provide precise and immediate control. The modular configuration allows users to adapt the mixer to their specific needs, optimising ergonomics and operational efficiency when mixing.

TECHNOLOGY

DEEP Processing, Dyn8 e RackExtra FX

Allen & Heath’s dLive system is powered by the XCVI core, which uses FPGA technology with 36 virtual cores to handle 160×64 channels at 96 kHz. It includes six mixing engines, offering </ìb>128 inputs and 16 stereo FX returns, with advanced processing using DEEP zero-latency architecture. Dyn8 provides dynamic equalisation and multiband compression. In addition, the RackExtra FX portfolio combines boutique plugin quality with onboard processing, providing high performance and versatility.

DLIVE-DLC35 tecnologia
DLIVE-DLC35 ingressi
INPUTS and OUTPUTS

Analogue and digital I/O

Any input or mix og mixer Allen & Heath dLive Surfaces can be assigned to any fader bank and/or layer, virtual stripes allow names and colours to be assigned to inputs and mixes for instant navigation, and there are numerous assignable SoftKeys and 3 pages of 6 assignable rotaries for each screen. Thanks to the modular architecture, users can easily customise the number of analogue and digital I/Os to suit specific needs.

USER

Harmony User Interface e transparent Workflow

The dLive Surface’s touchscreens offer intuitive interaction, responding to gestures such as pinches and swipes. Custom widgets can be created to monitor scenes and controls. In addition, high-grip, RGB-illuminated rotary controls provide immediate visual feedback. The interface layout is fully customisable, allowing users to tailor the mix to their own preferences.

DLIVE-DLC35 utente

Technical specifications

Weight 28 kg
Dimensions 87 x 72,8 x 41,3 cm
Input XLR Mic/Line input: XLR balanced, +48V phantom power supply
Microphone/line preamplifier: Fully recallable
Input sensitivity: -60 to +15dBu
Analog gain: +5 to +60 dB, in 1 dB increments
Pad: -20dB active pad
Maximum input level: +30dBu (PAD in)
Input impedance: >4kΩ (Pad out), >10kΩ (Pad in)
Microphone EIN: -127dB with 150Ω source
Phantom power indication: Per jack, detection of internal or external phantom power, switched to +24V
Digital inputs: AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω Sampling frequency 96kHz
SRC range 24 bit, 32k – 192kHz, with bypass option
Output Analog XLR outputs: Balanced, relay protected
Output impedance: <75Ω
Nominal output: +4dBu = 0dB meter reading
Maximum output level: +22dBu
Residual output noise: -92dBu (quiet, 20-20kHz) -90dBu (quiet, 20-40kHz)
Digital outputs: AES3 2 Ch XLR, 2.5 Vpp balanced terminated 110 Ω
Sampling frequency 96kHz, globally switchable to 48kHz, 44.1kHz
System Balanced measurement from XLR In to XLR Out, 20-20kHz, minimum gain, pad out
Dynamic range: 110dB
System signal to noise: -92dB
Frequency response: 20Hz – 30kHz (+0/-0.8dB)
THD+N (input to analog output): 0.0015% to +16dBu output, 1kHz 0dB gain
Headroom: +18dB
Internal operating level: 0dBu
dBFS alignment: +18dBu = 0dBFS(+22dBu at XLR output)
Meter peak indication: -3dBFS (+19dBu at XLR output)
Sampling frequency: 96kHz
Mains Power 100-240V AC, 47-63Hz, 300W max
Channels 128