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  • Mixer audio digitale Allen & Heath dLive-DLC25 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-DLC25 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-DLC25 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-DLC25 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-DLC25 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-DLC25 a 128 canali - 20 fader
  • Mixer audio digitale Allen & Heath dLive-DLC25 a 128 canali - 20 fader

Allen & Heath dLive C2500 128 channels digital audio mixer – 20 fader

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The Allen & Heath dLive C2500 128 channels digital audio mixer – 20 fader features 20 movable faders, each with 6 levels accessed via dedicated buttons.

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The Allen & Heath dLive C2500 128 channels digital audio mixer features 20 moving faders, each with 6 layers accessed by dedicated keys. All fader strips are configurable as input channels, mixes, FX sends, FX returns, DCA masters, or MIDI strips. Each fader strip have a dedicated PAFL, Mix, Select, and Mute button with indicators, 10-segment multi-point meter, 4-segment gain reduction meter, rotary encoder, and coloured LCD display with name, mode, status, and level indicating. 7 buttons with indicators provide global mode for the rotary controls being Gain, Pan, Sends and up to 4 custom functions. Send levels to mixes are adjustable using the faders. A 12” capacitive touchscreen is provided for access to channel processing, meters, FX, I/O, scene management, setup, utilities and diagnostics. Physical, dedicated controls shall be provided for the 4-band PEQ. Further physical controls are user assignable, including 6 rotary encoders arranged over 3 layers, and 19 user-defined keys. Dedicated keys is provided for quick Copy/Paste/Reset of mixes and processing parameters, pre/post and mix assignments, scene safes, GEQ fader flip, PAFL clear, scene automation, talkback, and access to libraries. 22-segment meters indicate the 3 Main mix levels, the PAFL signal overrides the LR meters accompanied by a PAFL-active indicator. ¼” and 3.5mm jacks for the surface PAFL headphones output are provided, plus an analogue output level control. dLive C2500 surface includes a 2-track record and playback system for optional USB drives. The surface has 2 USB ports on the front, one of which dedicated to record / playback. The surface provides 6 XLR inputs of high quality and capable of handling microphone or line signals, with remote controlled analogue gain adjustable in 1dB steps, a 20 dB PAD, and phantom power. It also provides 6 XLR line outputs, 1 AES-3 stereo XLR inputs with SRC, and 1 AES-3 stereo XLR outputs with SRC. There is an option to bypass the Sample Rate Conversion on the digital inputs or outputs. A 128-channel I/O port for an optional digital interface module shall also be provided. Optional interface modules shall include: MADI, EtherSound, Dante, Waves SoundGrid, and ACE. An Ethercon port is provided for connection to the rack engine via the Allen & Heath gigaACE protocol. This connection carries over 300×300 channels of uncompressed audio at 96kHz, control data and tunnelling of third party Ethernet traffic. An Ethercon port is provided for I/O expansion via an audio connection carrying up to 32×32 channels of uncompressed audio at 96kHz. A range of optional expansion racks is provided and includes a modular rack with 8-channel card options including analogue or digital I/O. A BNC connector is provided on the unit for Wordclock input and output. A pair of RJ45 sockets are also provided for gigabit Ethernet network connections to laptops or other control systems. The unit has a fixed power supply accepting AC mains voltages of 100~240V, 50/60 Hz, 110W max via an earthed 3-pin IEC male connector. A rocker switch is provided near the mains inlet to isolate the unit from the incoming mains supply. An option is provided for password protection for log-in of several users with different levels of system access and permissions.

DLIVE-DLC35 design
DESIGN

Intuitive and customisable

The Allen & Heath dLive Surfaces mixers feature an intuitive, customisable design with 12″ capacitive touchscreens for smooth interaction. Rotary knobs, with RGB lighting, provide precise and immediate control. The modular configuration allows users to adapt the mixer to their specific needs, optimising ergonomics and operational efficiency when mixing.

TECHNOLOGY

DEEP Processing, Dyn8 e RackExtra FX

Allen & Heath’s dLive system is powered by the XCVI core, which uses FPGA technology with 36 virtual cores to handle 160×64 channels at 96 kHz. It includes six mixing engines, offering </ìb>128 inputs and 16 stereo FX returns, with advanced processing using DEEP zero-latency architecture. Dyn8 provides dynamic equalisation and multiband compression. In addition, the RackExtra FX portfolio combines boutique plugin quality with onboard processing, providing high performance and versatility.

DLIVE-DLC35 tecnologia
DLIVE-DLC35 ingressi
INPUTS and OUTPUTS

Analogue and digital I/O

Any input or mix og mixer Allen & Heath dLive Surfaces can be assigned to any fader bank and/or layer, virtual stripes allow names and colours to be assigned to inputs and mixes for instant navigation, and there are numerous assignable SoftKeys and 3 pages of 6 assignable rotaries for each screen. Thanks to the modular architecture, users can easily customise the number of analogue and digital I/Os to suit specific needs.

USER

Harmony User Interface e transparent Workflow

The dLive Surface’s touchscreens offer intuitive interaction, responding to gestures such as pinches and swipes. Custom widgets can be created to monitor scenes and controls. In addition, high-grip, RGB-illuminated rotary controls provide immediate visual feedback. The interface layout is fully customisable, allowing users to tailor the mix to their own preferences.

DLIVE-DLC35 utente

Technical specifications

Weight 24,5 kg
Dimensions 66,5 x 77,5 x 32,5 cm
Input XLR Mic/Line input: XLR balanced, +48V phantom power supply
Microphone/line preamplifier: Fully recallable
Input sensitivity: -60 to +15dBu
Analog gain: +5 to +60 dB, in 1 dB increments
Pad: -20dB active pad
Maximum input level: +30dBu (PAD in)
Input impedance: >4kΩ (Pad out), >10kΩ (Pad in)
Microphone EIN: -127dB with 150Ω source
Phantom power indication: Per jack, detection of internal or external phantom power, switched to +24V
Digital inputs: AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω Sampling frequency 96kHz
SRC range 24 bit, 32k – 192kHz, with bypass option
Output Analog XLR outputs: Balanced, relay protected
Output impedance: <75Ω
Nominal output: +4dBu = 0dB meter reading
Maximum output level: +22dBu
Residual output noise: -92dBu (quiet, 20-20kHz) -90dBu (quiet, 20-40kHz)
Digital outputs: AES3 2 Ch XLR, 2.5 Vpp balanced terminated 110 Ω
Sampling frequency 96kHz, globally switchable to 48kHz, 44.1kHz
System Balanced measurement from XLR In to XLR Out, 20-20kHz, minimum gain, pad out
Dynamic range: 110dB
System signal to noise: -92dB
Frequency response: 20Hz – 30kHz (+0/-0.8dB)
THD+N (input to analog output): 0.0015% to +16dBu output, 1kHz 0dB gain
Headroom: +18dB
Internal operating level: 0dBu
dBFS alignment: +18dBu = 0dBFS (+22dBu at XLR output)
Meter peak indication: -3dBFS (+19dBu at XLR output)
Sampling frequency: 96kHz
Mains Power 100-240V AC, 50-60Hz, 110W max
Audio USB playback playback: Mono/stereo .WAV files, 16/24bit, 44.1/48/96kHz
Recording: Stereo .WAV files, 24bit 96kHz
Channels 128