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Allen & Heath dLive S5000 128 channels digital audio mixer – 36 faders is the largest control surface in dLive family, with 216 assignable fader strips.
Allen & Heath dLive S5000 128 channels digital audio mixer – 36 faders is the largest control surface in the dLive family, with an impressive 216 assignable faders. It features 36 faders on 6 levels, dual 12″ capacitive touchscreens and the innovative Harmony user interface for fast workflow. Where many digital consoles attempt to recreate the experience of using an analogue mixer, dLive is a true digital native, drawing on our familiarity with smartphones and tablets. The dLive consoles’ single or twin 12 capacitive touchscreens feel instantly familiar, responding to every swipe, drag and drop exactly as you would expect. Customised widget areas can also be configured on the screens to keep track of scenes, metres, special effects and other customised controls. The screen is framed by a series of rotary knob/one-function controls, allowing creativity and immediate tactile control over key processing functions, working in harmony with the visual feedback displayed on the screen. The rotary knobs have been prototyped more than 20 times for optimal grip and precision control, and feature RGB lighting, with colours mapped to functions for instant visual orientation. As systems become increasingly complex and the number of I/Os grows exponentially, engineers can feel increasingly distant from the action on stage as they become more involved in managing the arsenal of technologies at their disposal. dLive S7000, on the other hand, enables fast and transparent workflows that allow the sound engineer to focus on the mix, not the mixer. The dLive layout is fully customisable, allowing the user to create a mixing interface that matches their mental map of the show. Any input or mix can be assigned to any bank and/or layer, virtual scribble strips allow inputs and mixes to be clearly named and colour-coded for at-a-glance navigation, and the engineer has no less than 26 assignable softkeys at their disposal, plus 3 pages of 6 assignable rotables per screen. The Allen & Heath dLive S7000 is designed to offer the optimum balance of strength and weight, employing premium metal on the sides and bent steel at key points for added rigidity. Not only do each console, MixRack and expander have two power slots for redundancy, but we have also used the same robust hot-swappable PSU design across the range for peace of mind and minimal inventory. Dual redundancy is also built into every audio connection throughout the system. Special attention was also paid to console lighting, conducting rigorous testing to ensure that dLive excels in sunny, outdoor environments where many digital consoles become almost unusable.
The Allen & Heath dLive Surfaces mixers feature an intuitive, customisable design with 12″ capacitive touchscreens for smooth interaction. Rotary knobs, with RGB lighting, provide precise and immediate control. The modular configuration allows users to adapt the mixer to their specific needs, optimising ergonomics and operational efficiency when mixing.
Allen & Heath’s dLive system is powered by the XCVI core, which uses FPGA technology with 36 virtual cores to handle 160×64 channels at 96 kHz. It includes six mixing engines, offering </ìb>128 inputs and 16 stereo FX returns, with advanced processing using DEEP zero-latency architecture. Dyn8 provides dynamic equalisation and multiband compression. In addition, the RackExtra FX portfolio combines boutique plugin quality with onboard processing, providing high performance and versatility.
Any input or mix og mixer Allen & Heath dLive Surfaces can be assigned to any fader bank and/or layer, virtual stripes allow names and colours to be assigned to inputs and mixes for instant navigation, and there are numerous assignable SoftKeys and 3 pages of 6 assignable rotaries for each screen. Thanks to the modular architecture, users can easily customise the number of analogue and digital I/Os to suit specific needs.
The dLive Surface’s touchscreens offer intuitive interaction, responding to gestures such as pinches and swipes. Custom widgets can be created to monitor scenes and controls. In addition, high-grip, RGB-illuminated rotary controls provide immediate visual feedback. The interface layout is fully customisable, allowing users to tailor the mix to their own preferences.
| Weight | 41 kg |
| Dimensions | 132,5 x 72,9 x 41,3 cm |
| Input | XLR Mic/Line input: XLR balanced, +48V phantom power supply Microphone/line preamplifier: Fully recallable Input sensitivity: -60 to +15dBu Analog gain: +5 to +60 dB, in 1 dB increments Pad: -20dB active pad Maximum input level: +30dBu (PAD in) Input impedance: >4kΩ (Pad out), >10kΩ (Pad in) Microphone EIN: -127dB with 150Ω source Phantom power indication: Per jack, detection of internal or external phantom power, switched to +24V Digital inputs: AES3 2 Ch XLR, 2.5Vpp balanced terminated 110 Ω Sampling frequency 96kHz SRC range 24 bit, 32k – 192kHz, with bypass option |
| Output | Analog XLR outputs: Balanced, relay protected Output impedance: <75Ω Nominal output: +4dBu = 0dB meter reading Maximum output level: +22dBu Residual output noise: -92dBu (quiet, 20-20kHz) -90dBu (quiet, 20-40kHz) Digital outputs: AES3 2 Ch XLR, 2.5 Vpp balanced terminated 110 Ω Sampling frequency 96kHz, globally switchable to 48kHz, 44.1kHz |
| System | Balanced measurement from XLR In to XLR Out, 20-20kHz, minimum gain, pad out Dynamic range: 110dB System signal to noise: -92dB Frequency response: 20Hz – 30kHz (+0/-0.8dB) THD+N (input to analog output): 0.0015% to +16dBu output, 1kHz 0dB gain Headroom: +18dB Internal operating level: 0dBu dBFS alignment: +18dBu = 0dBFS (+22dBu at XLR output) Meter peak indication: -3dBFS (+19dBu at XLR output) Sampling frequency: 96kHz |
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