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The Allen & Heath CDM48 dLive MixRack audio mixer 48×24 I/O is a 7U rack-mountable device that can operate independently.
The Allen & Heath CDM48 dLive MixRack audio mixer 48×24 I/O for dLive systems is a 7U rack-mountable device that can operate independently, with or without a control surface. It can handle 128 input channels, 64 mix busses and over 400 soft-patchable system inputs and outputs, all independently assigned. There are 16 rack-mounted stereo FX engines with dedicated stereo returns, and 24 DCAs. The rack unit contains the mixing engine. This mixing engine operates at a sampling rate of 96 kHz and uses FPGA technology for digital signal processing. The system latency from analogue input to output must not exceed 0.7ms. The mixer provides 48 high-quality XLR inputs and is capable of handling microphone or line signals and will feature remote-controlled analogue gain adjustable in 1 dB steps, a 20 dB PAD and phantom power. All input channels are configurable mono/stereo and will have access to any of the unit’s hardware inputs or remote inputs via expansion options. Mixing buses are configurable as any combination of mono/stereo aux sends, groups, mains, FX sends or matrixes. All output channels can be routed to any of the unit’s 24 XLR line outputs, or to the remote output via the expansion options. All input channels contain the following processing: Trim, Polarity, High Pass Filter, Low Pass Filter, two insert points, Gate, Parametric EQ, Compressor and Delay. All output channels contain the following processing: External Input, Trim, Polarity, Insert, Parametric EQ, Graphic EQ, Compressor, Delay. Parametric, Graphic EQ, Compressor and Delay. Channel processing also provides high-quality emulations of classic compressors and GEQs. These emulations can be inserted on any channel without using the internal FX and without the need for external plug-ins or licences. Allen & Heath CDM48 also offers the ability to return signals processed by the FX racks to other mixes via dedicated FX input channels with PEQ, assigned as sources to the input channels, cascaded to another FX rack via internal patching, or routed to an output socket or interface channel. output socket or interface channel. A global source option for direct input channel outputs must be available in the routing screen. There is also a single 128-channel I/O port for an optional digital interface module. Optional interface modules include: MADI, EtherSound, Dante, Waves SoundGrid and ACE. An Ethercon port is provided for connection to the control surface via the Allen & Heath gigaACE protocol. This connection carries over 300×300 channels of uncompressed 96kHz audio, control data, and tunnelling of third-party Ethernet traffic. third-party Ethernet traffic. An Ethercon port carrying up to 32×32 channels of uncompressed 96kHz audio is also provided for I/O expansion. The unit must be equipped with a BNC connector for Wordclock input and output. A headphone output is also provided. The unit shall be equipped with a fixed power supply accepting AC mains voltages of 100~240V, 50/60 Hz, 175W max via a 3-pin IEC male connector connected to earth. The Allen & Heath CDM48 mixer allows 500 scenes to be stored.
Allen & Heath Class C MixRacks are the core element of the dLive system. Equipped with a modular architecture, they allow expansion and customisation with a wide range of I/O options, enabling flexible management of audio resources. They support customised configurations for live events, broadcast and permanent installations, offering high scalability.
With an FPGA XCVI audio engine, Class C MixRacks guarantee low-latency processing up to 96 kHz, providing high-quality dynamic compression, equalisation and FX. The power of the DSP can handle up to 128 inputs and 64 buses, ideal for complex projects without compromising sound quality.
Class C MixRacks integrate the Dante protocol for audio transmission over IP and are compatible with formats such as MADI, S-Link and Waves. The network interface allows connection with other dLive control surfaces and third-party devices, offering flexibility and integration into complex audio workflows.
| Weight | 12 kg |
| Dimensions | 48,16 x 30,9 x 31 cm |
| Input | XLR Mic/Line input: XLR balanced, +48V phantom power supply Microphone/line preamplifier: Fully recallable Input sensitivity: -60 to +15dBu Analog gain: +5 to +60 dB, in 1 dB increments Pad: -20dB active pad Maximum input level: +30dBu (PAD in) Input impedance: >4kΩ (Pad out), >10kΩ (Pad in) Microphone EIN: -127dB with 150Ω source Phantom power indication: Per jack, detection of internal or external phantom power, switched to +24V |
| Output | Analog XLR outputs: Balanced, relay protected Output impedance: <75Ω Nominal output: +4dBu = 0dB meter reading Maximum output level: +22dBu Residual output noise: -92dBu (quiet, 20-20kHz) -90dBu (quiet, 20-40kHz) |
| System | Balanced measurement from XLR In to XLR Out, 22-40kHz, minimum gain, pad out Dynamic range: 109dB System signal to noise: -92dB Frequency response: 20Hz – 30kHz (+0/-0.8dB) THD+N (input to analog output): 0.0015% to +16dBu output, 1kHz 0dB gain Headroom: +18dB Internal operating level: 0dBu dBFS alignment: +18dBu = 0dBFS (+22dBu at XLR output) Meter peak indication: -3dBFS (+19dBu at XLR output) Sampling frequency: 96kHz |
| Inputs and outputs | 48x24 |
| Power supply | 100-240V AC, 50-60Hz, 175W max |
| Connessions | 1 x GigaACE gigabit link to MixRack 2 x DX link for I/O expansion 1 x I/O Ports – 128 ch 96 kHz Dedicated ME-1 48kHz port 2 x Network ports Wordclock BNC I/O |
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