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The Allen & Heath AHM-64 64×64 channels digital matrix processor is an audio matrix processor for sound management and installation.
The Allen & Heath AHM-64 64×64 channels digital matrix processor is an audio matrix processor for sound management and installation. It is designed for audio distribution, paging, conferencing, and speaker processing in a multitude of environments, including corporate, hospitality, education, event and multifunctional venues, retail, theaters, cruise ships, and sports facilities. The AHM-64 processor is complemented by an extensive ecosystem of remote audio expanders, remote controllers, interfaces, applications and software. A family of portable, rack- or wall-mountable audio expanders is available with a choice of Layer-2 or Dante transport protocols. The unit is a 2u rack-mountable digital matrix processor capable of handling 64 input channels and 64 output channels, all independently assigned. Allen & Heath AHM-64 will operate at a sampling rate of 96kHz and use FPGA technology for digital signal processing. System latency from analog input to output shall not exceed 1ms. All input channels are configurable mono/stereo and have access to any local or remote input. Output channels are configurable as mono/stereo zones or as 2, 3 or 4-way crossover speaker processing outputs, and allow up to 64 mono zones/32 stereo zones, or any combination of zones and speaker processing outputs not exceeding 64 total channels. All input channels shall provide the following processing: Trim, Polarity, Gate, Insert point, 8-band parametric EQ, Compressor, Delay, and Automatic Microphone Mixing (AMM). All zones must provide the following processing: Source selector, insert point, 8-band parametric EQ, 28-band GEQ, compressor, delay, ambient noise compensation (ANC) and limiter. The 8-band parametric EQ provides selectable Bell, Constant Q, Shelving, LPF, HPF and Notch filter types per band. The unit has 12 balanced inputs on pluggable Phoenix terminal blocks. Each input has an independent +60 dB gain control, a -20 dB active PAD, and +48 V phantom power. A local SLink Ethernet audio expansion port is present, which will support various Audio-over-Ethernet protocols and provide access to up to 128×128 I/O, as well as allow remote connection and control of Allen Heath preamplifiers, connected via a SLink Ethernet port. The unit is capable of saving 500 presets. Presets are named and a descriptive text entry is provided for each preset. In addition, a cross-fade of up to 20 seconds is available to be applied to any combination of inputs, zones, groups, input/zone crossover points, and zone/zone crossover points. Networkable, PoE-enabled remote controllers are available to complement the unit, including wall-mounted controllers in US and EU formats and desktop controllers with a minimum of 8 units. Allen & Heath AHM-64 has a built-in power supply that accepts AC mains voltages of 100-240V, 50/60Hz, 70W max via a 3-pin IEC male grounded C6 male connector mounted on the rear chassis.
Allen & Heath’s audio expanders offer flexible inputs and outputs for advanced configurations. They can include XLR, TRS and Dante ports for digital audio networks. These devices expand the capacity of mixers, providing a greater variety of audio sources and destinations. AES3 and S/PDIF connections are often present to ensure superior audio quality in professional settings.
Allen & Heath’s audio expanders offer a wide range of inputs and outputs, with configurations such as 16 or 32 XLR inputs and 8 or 16 XLR outputs in modules such as the DX168 or GX4816. Connections include Ethernet ports, for audio transmission via Dante or S-Link, and AES outputs for high-quality digital audio transmission.
Allen & Heath’s audio expanders offer great compatibility with Dante, AES67, S-Link, and MADI protocols. They allow integration with audio network systems and mixers such as dLive, Avantis, and SQ. They support connection via Cat5e or fibre optic to expand inputs and outputs. This flexibility makes them ideal for complex live and broadcast installation applications.
| Weight | 7 kg |
| Dimensions | 48,26 x 36,4 x 9,1 cm |
| Input | Mic/Line inputs: Balanced, +48V phantom power Microphone/line preamplifier: Fully recallable Input sensitivity: -60 to +15dBu Analogue Gain: +5 to +60 dB, in 1 dB increments Pad: -20dB active pad Maximum input level: +30dBu (PAD in) Input impedance: >3kΩ (Pad out), >8kΩ (Pad in) Microphone EIN: -127dB with 150Ω source |
| Output | Analogue outputs: Balanced, relay protected Output impedance: <75Ω Nominal output: +4dBu = 0dB meter reading Maximum output level: +22dBu Residual output noise: -94dBu (quiet, 20-20kHz), -92dBu (quiet, 20-40kHz) |
| System | Balanced measurement from XLR input to XLR output, 20-20kHz, +5dB Gain, Pad output, 0 dB signal (meter) Dynamic range: 110dB System signal noise: -94dB Frequency Response: 20Hz - 25kHz +0/-0.8dB THD+N (input to analogue output): 0.005% to +16dBu output, 1kHz +5dB gain Headroom: +18dB Sampling Frequency: 96kHz +/- 20 PPM |
| Playback | Internal memory: ~3GB File types: Mono/stereo .WAV (16/24bit, 44.1/48/96kHz), MP3, FLAC |
| Input processing | 64 input channels: Configurable mono or stereo Trim: +/-24 dB digital trim Polarity: Normal/Reverse Stereo Amplitude Control: L/R, R/L, L -Pol/R, R -Pol/L, Mono, L/L, R,R, M/S Side chain: Selectable with auto-key or source, with Lo-Pass and Hi-Pass at 12 dB/octave Threshold: -72dBu to +12dBu Depth: 0 to 60 dB Attack: 50us to 300ms Hold: 10ms to 5s Release: 10ms to 1s Insert: In/Out, level +4dBu/-10dBV Type: 8-band fully parametric, +/-15dB Band 1 - 8: Selectable LF/HF shelving, bell (variable or constant Q), Hi-Pass / Lo-Pass, Notch. Lo-Pass, Notch Bell width: 0.50 - 6.00 Q Rack type: Baxandall classic Filter Hi-Pass, Lo-Pass: 12 dB/octave Compressor: Peak or RMS sensing Side chain: Selectable with auto-key or source, with Lo-Pass and Hi-Pass at 12 dB/octave Threshold: -46dBu to 18dBu Delay: Up to 683 ms |
| Zone processing | Up to 64 zones: Configurable mono or stereo Source selector: Up to 20 sources, variable level, fade-in and fade-out time <20s Insert: In/Out, level +4dBu/-10dBV GEQ: 28 bands 31Hz -16kHz, +/-12dB, constant-Q PEQ: See Input Processing Compressor: See Input Processing Delay: Up to 683 ms Ambient Level: Source and measurement point selectable point, differential gain -18dB to 40dB Gap: Source and measurement point selectable, threshold -62dB to -20dB, Time 0-5000ms Gain Element: Minimum/maximum gain, rate 0-30dB/s Limiter: Variable threshold, attack and release |
| Speaker proccessing | Crossovers: Configurable 2, 3, 4-way Filters: Asymmetrical, 1st order selectable, Butterworth 12/18/24 dB/octave, LR 12/24 dB/octave PEQ: 4 fully parametric bands Delay: Up to 683 ms Limiter: See Input Processing |
| AMM | Channels: 1x64, 2x32, 4x16 or 8x8 Modes: D-Classic gain sharing or NOM |
| Power supply | 100-240V AC, 50-60Hz, 70W max |
| Compatibility | Allen & Heath IP1, IP6, IP8 remote controllers |
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