The Komodo 6K RED camcorder has an ultra-compact, all-in-one design that weighs only 1 kg in a very compact 10.2 x 10.2 cm body. The key to achieving this was the use of the Canon RF lens mount and the 19.9 MP KOMODO Super35 CMOS sensor that boasts Global Shutter technology. This sensor can create images with a dynamic range of 16+ stops and eliminates rolling shutter artefacts. They are achieving RED quality with the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps and 2K at 120 fps in REDCODE RAW for incredible post-production flexibility. A superior 2.9″ 1440 x 1440 touchscreen makes it easy to set up and monitor footage, or you can use the RED control system to use an iOS or Android device for preview and settings. This is possible via the built-in 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters. The use of Canon’s RF lens mount allows the KOMODO to be extremely compact while still allowing compatibility with a wide range of lenses through the use of optional adapters. The camera natively supports RF and mechanical EF lenses via the included adapter. By using optional EF-RF mount electronic adapters, the KOMODO will also support Canon EF mount electronic lenses and unlock additional features such as autofocus. The RED Komodo camera has simplified compression options, offering users a choice of HQ, MQ and LQ, each ranging from low to high respectively. Having these choices allows users to choose the best option for each shot and whether to prioritise data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps and 2K up to 120 fps and will offer the greatest possible flexibility in post-production. Those wishing to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.